17 posts categorized "Guerrilla Style"

September 17, 2008



  • How can filmmakers utilize new technologies to get their next project budgeted, developed and completed for less time and money? Hear how filmmakers around the world are actively using new technologies and innovative cross platform collaboration for creative and financial gain to get their big ideas with small budgets off the ground and out to global audiences.

My favorite quote from the panel was "Technology is no substitute for craft" by Bryan Poyser, the rest of the panel was conformed by Barry Jenkins, Todd Rohal and Melissa Scaramucci, it was moderated by Gabe Wardell, Executive Director of the Atlanta Film Festival.

All the filmmakers agreed that the best way to start is starting! Bryan Jenkins said "Film is like a sport, you need to train to be good, and the only way to train is making films".

Funny how this entry is totally in the same line of yesterday's interview.

Here the highlights of the conference, boost the volume, I was kinda far.

September 06, 2008

UNDERWATER CAM for less than $20

Underwater Camcorder Mod! $10! - The best free videos are right here

This is really a fantastic way to resolve those underwater shots, just watch the video. I didn't have all the tools to do it, but the guys at Home Depot cut the box for me. The camera in the video is medium size, but those ammo boxes come in all sizes!

August 22, 2008

MOMMA'S MAN OPENS TODAY: Go see it this weekend, you know how much it means for the permanence of a Guerrilla Film

...via Filmmaker Magazine

Nick Dawson's Web Exclusive Director's Interview this week is Azazel Jacobs, whose third feature, Momma's Man, opens today. Of the movie, which details a few days in which a young, recent father, Mikey, travels home to his parents (played by Ken and Flo Jacobs, the director's real-life parents) and is not able to leave, having become entangled in the crosscurrents of nostalgia for his childhood.

Continue reading "MOMMA'S MAN OPENS TODAY: Go see it this weekend, you know how much it means for the permanence of a Guerrilla Film " »

August 15, 2008


No money is not a problem anymore, actually, since the arrive of MiniDV the number of independent films has increased enormously. The new technology allows pretty much everybody to make a film. Now, how many of them are good? I would say a few of them. The trailer above is from the film Quiet City, made with a budget of $2,500 distributed theatrically by 600 West Productions. Narrates the story of Jamie a 21 years old  from Atlanta. She's come to Brooklyn to visit her friend Samantha, but she can't find her. Jamie tries calling, but Samantha's phone is dead. Jamie meets Charlie when she asks him for directions. Nothing to do and nothing but time leads them to bowls of coleslaw, footraces in the park, art shows, and after parties. The movie was released very limited (Just one theater) but it made $15,500 in box office that's a profit of 620 % against its budget, to give you an idea The Dark Knight needs to make more than a billion to have numbers like that. Quiet City also got a DVD deal so, it was a fantastic experience.

I'm a believer that if you have a fantastic story that can be made under ultra low budget circumstances, you will have success and the prove of that is the anti-movement MUMBLECORE, and I say anti-movement because according to Filmmaker Magazine "the filmmakers in this movement don’t want to be grouped into any kind of movement at all"

Continue reading "$ 2,500 FEATURE FILM? MUMBLECORE RULES, no excuses!" »

August 11, 2008

MOMMA'S MAN: A story made around a great Location

Interview with Azazel Jacobs (Director) and Matt Boren (Lead Actor)

In Guerrilla Filmmaking, the great equalizer is location. A unique location can make your life easier while shooting, give you something wonderful and interesting to look at, and, if you're really cooking with gas, provide you with a unique story to tell. For Azazel Jacobs' Momma's Man, the root of the making of the film was his main location, his parent's apartment in New York where he grew up. He knew he wanted to capture this unusual place on film and then tried to figure out a story that he could set there. To be sure, Jacobs' home isn't your typical Ozzie & Harriet, and neither are his parents. Father Ken Jacobs is a renowned experimental filmmaker and mother Flo is a frequent collaborator.

Continue reading "MOMMA'S MAN: A story made around a great Location" »

August 09, 2008

YOU ARE A GUERRILLA FILMMAKER! you just need to realize it

The Balloon Project: Berlin from Disposable Film Festival on Vimeo.

Do you have a cellphone that takes video? Do you own a point and shoot camera? How many concerts had you taped with your camera or your phone without permission? You see? you were stealing shots, you are a Guerrilla Filmmaker, specifically a Disposable Filmmaker

In 2006, Julio Rojas, one of the most prolific Chilean screenwriters, created the movement Film and Run, basically  life is your set:  you take a script, any device that can record video, a few actors and regular citizens (non-actors) as supporting characters, of course, without them knowing it... Imagine the concept of a candid camera but applied to narrative films.

Continue reading "YOU ARE A GUERRILLA FILMMAKER! you just need to realize it" »

August 04, 2008

IMPROVISING WITH ACTORS AND CREW: Exclusive Interview with Davíd Óskar Ólafsson, Producer of Country Wedding (Sveitabrúðkaup)

Watch the exclusive trailer with subtitles in English here.

1 Story, 7 Days, 17 Actors, 4 Cameras, 1 Committed Team, the result: Country Wedding. This Icelandic film was mostly improvised on location, was directed by Valdis Óskarsdóttir and produced by Elfar Aðalsteinsson,  Wouter Barendrecht, Hreinn Beck, Árni Filippusson, Jim Stark, Gudrun Edda Thorhanesdottir and Davíd Óskar Ólafsson.

The film premieres in Iceland on August 28th, there’s no release date yet in the U.S. The film is being repped by Fortissimo Films.

We had the pleasure to interview Davíd Óskar Ólafsson on how was his experience working in a tight schedule with a limited budget when pretty much everybody was improvising all the time.

Continue reading "IMPROVISING WITH ACTORS AND CREW: Exclusive Interview with Davíd Óskar Ólafsson, Producer of Country Wedding (Sveitabrúðkaup)" »